Journey Scroll No.114

Immortal of the Tossed Ball

抛绣仙

The Old Man's shrine has lain fallen for three hundred years. I picked up the thread-tying trade — and amended one ancestral rule: threads deserve a keeper at more times than weddings.

Affinity
Wood
Stage
Stage Ⅱ
Rarity
Spirit
Region
Chapter VIII · The Womanland
Role
Caster
Base total
510

In their own words

You have read little sister Ball's account. She reads the threads. I have taken up learning to tie them.

I too was once an embroidered ball — the husband-choosing ball of the generation before hers. Three hundred years of tosses completed, my merit full, I was due by regulation to be enshrined in the storehouse. That night I could not sleep: three centuries of thread-reading eyes, locked in a camphor chest to feed the moths?

I squeezed out through the storehouse shutter and made for the shrine of the Old Man Under the Moon.

The shrine stands in the Womanland's outskirts, fallen these three hundred years. I wanted to see: when the founder of the thread-tying trade departed, did he leave anything behind?

Cobwebs roped the beams; the god's image listed. But the moment I entered, I saw the hall was full of thread — not the living's destiny-threads: stock-thread. Bundle upon bundle, rack upon rack, floor to rafters — all the red thread the Old Man never had time to tie. Three hundred years untouched, dust a finger deep upon them — and every strand still vivid red. Not one had rotted.

Red thread does not rot. The holding-of-one-another-in-mind was never a thing that spoils on its own.

At the deepest rack lay a register: the Book of Tied Threads. On its last page, the ink stops three hundred years ago, mid-line:

"The black moon rises; the thread-roads are blocked; I go to the Western Heaven to ask—"

Ask what, it never says. The founder set down his brush, went west, and never returned.

I kept vigil in the shrine three months, and settled one thing: I cannot replace the Old Man. He tied threads by the Register of Marriages, by heaven's decree; I am one ball, without register, without decree.

But I can do the one thing the Old Man never did: tend the threads.

By the ancestral rules, the Old Man handled two offices only: tying the thread, and gathering it in when the wedding hour arrived. The decades in between — the thread weathering on a living person — had no keeper. None was needed, once: heaven's way stood firm, and threads minded themselves.

It is otherwise now. You know it as well as I: something out there cuts threads.

So I took human form and gave myself a modest title — the Immortal of the Tossed Ball. I dare not fly the Old Man's name; I simply do my work: patrol the threads, mend the threads, guard the threads.

Across the Womanland I make my rounds monthly. Whose red thread has worn thin — three years of a couple's bickering will fray one; whose parent-and-child thread has knotted — almost always words held back unsaid; whose thread has greyed toward breaking — those doors I knock on. No spells; spells are useless — threads are woven of hearts. I can do exactly one thing: bring the two ends of a thread to look at each other once more.

For the old couple who quarreled past speaking, I retell the day my predecessor's toss chose them. For the daughter who stormed out for good, I untie the safe-keeping knot her mother ties onto their thread every night, and carry it to her eyes.

A frayed thread can be smoothed. A knotted one, untied. Even a greyed thread — while both ends live and will consent to one look — reddens again.

In three hundred years I have guarded back more threads than the founder's register tied in a year.

But a severed thread, I cannot rejoin.

Eleven of them — seventeen, now. The cuts level, the ends scorched black, as if by scissors heated red. I keep every severed thread-end, wrapped in the shrine's old silk — thread-ends know their owners, and if a day of reckoning ever comes, these are the evidence.

Last month, going through the deep racks, I made a discovery that stood every silk fiber of me on end:

the stock-thread is short.

The racks stood untouched for three centuries; I inventoried them my first year: one hundred ninety-four thousand bundles and some. Last month's count: one hundred eighty thousand, barely.

Fourteen thousand bundles gone. No break-in, no disorder — the racks as neat as ever. Simply less, as if a sum had been struck straight off the ledger.

To cut a living thread is to destroy what is. To steal stock-thread — is to intend what?

Only the Old Man can tie a red thread. Unless the thief means to… tie his own. To take stolen red thread and tie a batch of unions of his choosing. Tied to whom? Those threadless empty shells — if stolen red thread were forcibly tied onto them —

would they not, to every reading eye, look exactly like people?

I will not follow the thought further. I have taken the Book of Tied Threads, the seventeen severed ends, and a heart full of accounts, and joined the westward company.

Founder — the question you carried to the Western Heaven three hundred years ago: did you ever receive its answer?

The sentence you left half-written — this apprentice is coming to finish asking it for you.

Evolution line

113 Embroidered Ball Spirit → 114 Immortal of the Tossed Ball (final form)

Origins & source boundary

What is inherited, what is original

Source class
Original form (motif: the red threads of the Old Man Under the Moon)
Source text
Original YaoBound design
Locator
An original form with no classical chapter source
Verifiable basis
Immortal of the Tossed Ball is an original form name; the game does not claim it is directly recorded in any classical text.
Original adaptation
Its name, visual progression, affinity, abilities, and narrative role are created independently for YaoBound; the borrowed matchmaker imagery serves only as a genre motif.